Directed by Tony Scott. With Will Smith, Gene Hackman, Jon Voight, Lisa Bonet. A lawyer becomes a target by a corrupt politician and his NSA goons when he accidentally receives key evidence to a serious politically motivated. The Evolvement of Cooper's Characters, Plots, and Themes in the Western Film and Audiovisuals with Credits and Annotated Reviews. Among the art forms that have been classified as native to the United States are jazz, detective. We know your time is valuable. Select the type of help you need, then provide us with some basic information including your contact phone number. Questions about new service? Pulp Fiction - Wikipedia, the free encyclopedia. This article is about the film. For other uses, see Pulp fiction. Pulp Fiction is a 1. American neo- noircrimeblack comedy film written and directed by Quentin Tarantino, from a story by Tarantino and Roger Avary. Crimson Tide (extended Edition) (a Tony Scott Film)mougli)viedeo
The film was nominated for seven Oscars, including Best Picture; Tarantino and Avary won for Best Original Screenplay. It was also awarded the Palme d'Or at the 1. Cannes Film Festival. A major critical and commercial success, it revitalized the career of its leading man, John Travolta, who received an Academy Award nomination, as did co- stars Samuel L. Jackson and Uma Thurman. Directed in a highly stylized manner, Pulp Fiction connects the intersecting storylines of Los Angeles mobsters, fringe players, small- time criminals, and a mysterious briefcase. Considerable screen time is devoted to monologues and casual conversations that reveal the characters' senses of humor and perspectives on life. The film's title refers to the pulp magazines and hardboiled crime novels popular during the mid- 2. Pulp Fiction is self- referential from its opening moments, beginning with a title card that gives two dictionary definitions of . The plot, as in many of Tarantino's other works, is presented out of chronological order. The picture's self- reflexivity, unconventional structure, and extensive use of homage and pastiche have led critics to describe it as a prime example of postmodern film. The film has also been described as a black comedy. The nature of its development, marketing, and distribution . It is often considered a cultural watershed, with a strong influence felt in several other media. A 2. 00. 8 Entertainment Weekly poll named Pulp Fiction the finest film to have been released since 1. It finally returns to where it began, in the diner. There are a total of seven narrative sequences; the three primary storylines are preceded by intertitles. Sequences 1 and 7 partially overlap and are presented from different points of view, as do sequences 2 and 6. In Philip Parker's description, the structural form is . Vincent says Marsellus has asked him to escort his wife while Marsellus is out of town. They arrive at Brett's place, where they confront him and two of his associates over the briefcase. Vincent finds the briefcase and Jules shoots one of Brett's associates, then delivers a passage from the Bible before he and Vincent kill Brett. Vincent and Jules arrive to deliver the briefcase. The next day, Vincent purchases heroin from his drug dealer Lance. He shoots up to pass the day, then drives to meet Mrs. Mia Wallace. Vincent and Mia head to a 1. Wallace house with the trophy. While Vincent is in the bathroom, Mia finds his heroin, mistakes it for cocaine, snorts it and overdoses. Vincent rushes her to Lance's house, where they revive her with an adrenaline shot to her heart. Prelude to . Koons brought a gold watch passed down through three generations of Coolidge men since World War I; at the dying request of Coolidge's father, Koons hid the watch in his rectum for two years to deliver it to Butch. The next morning, at the motel where he and his girlfriend Fabienne are lying low, Butch discovers she has forgotten to pack his father's watch and flies into a rage. He returns to his apartment, retrieves the watch, and notices a gun on the kitchen counter. Hearing the toilet flush, Butch shoots Vincent dead after he exits the bathroom. As Butch waits at a traffic light in his car, Marsellus walks by and recognizes him. Marsellus chases him into a pawnshop. The owner, Maynard, captures them at gunpoint and ties them up in a basement. Maynard is joined by Zed, a security guard; they take Marsellus to another room to rape him, leaving a silent figure in a bondage suit, . He is about to flee, but decides to save Marsellus. As Zed is raping Marsellus, Butch kills Maynard with a katana retrieved from the pawnshop. Marsellus retrieves Maynard's shotgun and shoots Zed. Marsellus informs Butch that they are even, so long as he never tells anyone about the rape and departs Los Angeles forever. Butch returns to pick up Fabienne on Zed's chopper. Jules decides their lucky escape was a miracle, which Vincent disputes. As Jules drives, Vincent accidentally shoots Marvin, the second of Brett's associates, in the face. They hide the car at the home of their associate Jimmie, who insists they deal with the problem before his wife Bonnie comes home. Marsellus sends his cleaner, Winston Wolfe, who orders Jules and Vincent to clean the car, hide the body in the trunk, and dispose of their bloody clothes. They drive the car to a junk yard and Jules and Vincent decide to get breakfast. While Vincent is in the bathroom, Pumpkin and Honey Bunny hold up the restaurant. When Jules holds Pumpkin at gunpoint, Honey Bunny becomes hysterical and trains her gun on him; Vincent returns with his gun trained on her . Jules recites the biblical passage, expresses ambivalence about his life of crime, and allows the robbers to take his own cash and leave. Jules and Vincent leave the diner with the briefcase. Cast. Tarantino cast Travolta in Pulp Fiction because Michael Madsen, who had played Vic Vega in Reservoir Dogs, chose to appear in Kevin Costner's Wyatt Earp instead. Madsen has since expressed regret over his decision. In 2. 00. 4, Tarantino discussed an idea for a movie starring Travolta and Madsen as the . Jackson assumed the audition was merely a reading. Harvey Weinstein convinced Jackson to audition a second time, and his performance of the final diner scene won over Tarantino. Alfre Woodard and Meg Tilly were also considered, but Tarantino wanted Thurman after their first meeting. She was nominated for an Oscar for Best Supporting Actress and was launched into the celebrity A- list. She took little advantage of her new- found fame by choosing not to do any big- budget films for the next three years. As described by Peter Bart, taking a role in the modestly budgeted film . I can't think of any other star that has that look. In the filmmaker's words, . In the film, he is a very wealthy man, adhering strictly to his rules. He is Jules's model assassin because he has a lot of respect for Wolfe. He drives a grey Acura NSX. Roth had starred in Reservoir Dogs alongside Keitel and was brought on board again. He had used an American accent in the earlier film, but uses his natural, London one in Pulp Fiction. Though Tarantino had written the part specifically with Roth in mind, Tri. Star head Mike Medavoy preferred Johnny Depp or Christian Slater. Roth had introduced the actress and director, telling Tarantino, . Tarantino met the Portuguese actress while traveling with Reservoir Dogs around the European film festival circuit. Haig passed on the role. Courtney Love later reported that Kurt Cobain was originally offered the role of Lance; if he had taken it, Love would have played the role of his wife. Pam Grier read for the role, but Tarantino did not believe audiences would find it plausible for Lance to yell at her. Ellen De. Generes also read for Jody. In 1. 99. 3, Walken had appeared in another small but pivotal role in the . But they quickly realized that nobody produces shorts, so the film became a trilogy, with one section by Tarantino, one by Avary, and one by a third director who never materialized. Each eventually expanded his section into a feature- length script. You know, 'Vincent Vega and Marsellus Wallace's Wife'. You know, you've seen the story a zillion times. I wanted him to be a bully and a jerk. He cast the lead actress, Angela Jones, in Pulp Fiction and later backed the filmmakers' production of a feature- length version of Curdled. In January 1. 99. Pulp Fiction script was complete. Before even seeing Reservoir Dogs, Jersey had attempted to sign Tarantino for his next project. He characterizes the studio's position: . Someone's dead and then they're alive. It's too long, violent, and unfilmable.'.. So I thought, 'That's that!'. Though he had recently appeared in several big- budget flops, he was still a major overseas draw. On the strength of his name, Miramax garnered $1. According to Tarantino, . I wanted it to look like a $2. I wanted it to look like an epic. It's an epic in everything. The reason we use it is that it creates an almost no- grain image, it's lustrous. It's the closest thing we have to 5. Technicolor. One of his pop totems, Fruit Brute, a long- discontinued General Mills cereal, also returned from the earlier film. Dick Dale's rendition of . Tarantino chose surf music as the basic musical style for the film, but not, he insists, because of its association with surfing culture: . It sounds like rock and roll spaghetti Western music. Lovelace also appeared in the film as Laura, a waitress; she reprises the role in Jackie Brown. The album peaked on the Billboard 2. Todd Mc. Carthy called Pulp Fiction a . It's like, all of a sudden, 'I gotta watch this.. I gotta pay attention.' You can almost feel everybody moving in their seats. It's actually fun to watch an audience in some ways chase after a movie. The New York Times published its review the day of the opening. Janet Maslin called the film a . Tarantino's ripe imagination, a landscape of danger, shock, hilarity and vibrant local color.. As Peter Biskind describes, . Miramax played with the issue in its marketing campaign: . Against its budget of $8. Pulp Fiction wound up grossing $1. U. S. Worldwide, it took in nearly $2. Roger Ebert of the Chicago Sun- Times described it as . It dares Hollywood films to be this smart about going this far. If good directors accept Tarantino's implicit challenge, the movie theater could again be a great place to live in. I'm not sure I've ever encountered a filmmaker who combined discipline and control with sheer wild- ass joy the way that Tarantino does. Kenneth Turan wrote, .
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